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Lost Flower: Eo Woo-dong

2015

R

1 h 41 m

کوریا

ڈرامہ

A triangular relationship between Eo Woo-dong, her husband Lee Dong, and fantasy character Moo-gong, highlights on the first half of the Joseon Dynasty and portrays the contradicted life of the high class people, criticizing the modern day Korean society.
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5.2 /10

147 people rated

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Do-bin Baek
Lee Dong
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Eun-pi Kang
Hye-in
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Yeo Wook-hwan
Moo-gong
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Nam Kyung-eub
Vice Minister Park
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Jang Young Yoo
King Seong-jong
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Bom Lee
Myo-hong
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Gi-doo Kim
Kim Sang-seon
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Mi-ra Yook
Landlady
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Yeong-dong Mun
Park Kang-cheong
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Kim Young-woong
Minister of War
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Jeong-seong Kim
Han Joong-seok
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Young-sub Jung
Park Seol
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Soo-Hyeon Ahn
Hye-in's Mother
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Ji-man Eom
Executioner

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Mbongo

21/09/2025 03:03
Lost Flower: Eo Woo-dong_360P
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user3596820304353

27/08/2025 17:04
Lost Flower: Eo Woo Dong
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KimChiu

14/10/2024 07:00
Hye-In (Song Eun-Chae) the daughter of a government official. She is beautiful and smart. Yi-Dong (Baek Do-Bin)is a royal family member and becomes interested in her. Using his charms, Yi-Dong eventually maries Hye-In. After their marriage, Yi-Dong continues his playboy ways with other women.He learns about a man named Moo-Gong (Yeo Wook-Hwan) who loves Hye-In. Yi-Dong becomes jealous and forces Hye-In to watch him make love to another woman. Hye-In takes takes revenge and changes her name to Er Woo Dong. She becomes the most famous Femme Fatale during the Joseon era. Very attractive and you will be able to ancient Korea's culture such clothing and class levels in the movie
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🌹Rifi | ريفي🌹

14/10/2024 07:00
LOST FLOWER EO WOO-DONG is a sumptuous South Korean historical drama that tells the true story of the title character, whose outlandish antics scandalised Joseon society many centuries ago. The first thing worth noting is that, although this film is quite low budget and set in just a handful of locations, it looks absolutely splendid in high definition and features many excellent costumes and effective set design. A shame, then, that the film's narrative is so long-winded and uninteresting. The protagonist is an outsider whose duality is made much of, but a lot of the material just seems to be an excuse for some laborious erotic scenes; this film's adult content is obvious from the get go, as various courtiers watch a striptease play out in front of them and comment eagerly on the action. Lengthy sex scenes are the order of the day here, and not much else, aside from a handful of melodramatic moments at the climax. Perhaps this is a film you have to be Korean to appreciate, but as a Western viewer it left me cold.
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