Amélie

Amélie

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kamboli togo

je vous le recommande, c'est l'un des meilleurs films français que j'ai regardé.

je vous le conseille. c'est l'un des meilleurs films français que j'ai regardé

Amélie_360P

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Amélie_720P_480P

Amélie_720P

This movie is at number 14 in the top 250. It was nominated in several categories for the oscars by March 2002. All around the world, Amélie Poulain elated millions of people. The question I ask myself is this one: why did this film make millions of people so happy? I saw it last year at the cinema; it's not that I didn't like it, it left me indifferent and I watched it very carelessly. A naive girl whose name is Amélie Poulain discovers what her destiny is: make people happy. She'll succeed in before she falls in love with a man (Mathieu Kassovitz). I think it's a lacklustre and dull film. The screenplay isn't very entertaining and it looks as if there is no plot. The main thema of the movie, which is for Amélie to make people happy, is more sketched out than really explored. Moreover, the dialogues are vain and most of the characters are talking for nothing. Above all, several sides of the film didn't please me, especially its humor. The movie wants to be funny but according to me, the humor usually falls flat and sometimes it can fade into the heaviness like the love scene in the cafe. There is something that I don't like in the Amélie Poulain's character; I think she is dope, a bit dumb and she's got very odd thoughts ( how many couples will have an * in the next second!!!). Besides, the actors aren't very great. I mean that they aren't very well defined. We learn what they like or don't like but for most of them, their tastes or hates are only tics (like Jamel Debbouze who cherishes fruits and vegetables because he's a greengrocer). On the other hand, some elements of the film are useless and barely bring interest to the movie, I think about Amélie's father who loves his garden gnome, or the old man who tries hard to reproduce Renoir's painting "le déjeuner des canotiers". To sum up: Amélie's destiny's got nothing fabulous and it's a film that lacks of poetry and is a speading of clever visuals and ringing brainwaves.