The Lady in Question

source: The Lady in Question

Moviecut—The Lady in Question

The Lady in Question

This is supposed to be a comedy/drama but doesn't quite hit the nail on the head either way. As a result the whole thing feels a bit muted. Still, it is at times mildly entertaining. Aherne and Ford are fine, and Hayworth is believable and already quite beautiful. A bit of a disappointment considering some good elements, but still watchable.

Where to start? They took an earthy classic French face (Gribouille) & timidly translated it into faux Oscar Wildeian summer stock frillery. Brian Aherne becomes Raimu & Rita Cansino Hayworth becomes Michele Morgan. Glen Ford (14 years Aherne's junior) plays Aherne's son. Aherne was about 38 when he made this, a handsome, debonair lightweight matinée idol (who allegedly was the object of Noel Coward's song, Mad About the Boy). Nice fellow, but a real travesty in this part. Whose fault? Probably the director, Alexander Korda, because the rest of the cast is just as bad, Irene Rich, Evelyn Keyes, Lloyd Corrigan (?). What they forgot when they bought this property is farce is not just about manners & plot, it's about character & culture. Ah well, Ford & Hayworth would grow up & make Gilda 6 years later. Same director!

This is the sort of dramatic comedy the French knew how to do superbly, but Hollywood was unable to carry off in 1940. Blame it on censorship. The original 1937 French film starred the great tragic comic actor, Raimu, famous for his work in Marcel Pagnol's Marseilles comedies. Brian Aherne, a fine actor, is still too much of the English matinee idol, too young too thin to play pater familias roles, although he tries. This was a role for an older man. Edward G. Robinson might have gotten in right. Rita Hayward is as always lovely and believable. Glenn Ford is only the juvenile in this one. A few years later both would have their great successes together. Harry Cohn took a chance on this one.

Back in 1937, there was a French film ("Heart of Paris") and it starred the great actor, Raimu. Now, three years later Hollywood released a remake--and I can only assume the remake wasn't as good-- partly because Raimu was a wonderful actor and because this American version just wasn't particularly inspired nor did it make a lot of sense. When the film begins, Natalie (Rita Hayworth) is on trial for murder. Although many on the jury think she's guilty, Andre (Brian Aherne) insists for no real logical reason other than his gut feeling that she's innocent. Because he's so vehement, she is acquitted. Then, Andre invites her home to work for him and he gives her a place to live! None of this makes any sense, nor does it make any sense when inexplicably, Andre turns on his new protégé. The film didn't make a lot of sense and I found it all a bit tedious after a while. Not a terrible film but certainly one that's easy to skip.