Jack is a creative guy with a good job. He makes weapons to defeat dictators and tyrants. He'd like to attract a girlfriend, so he's fashion conscious, with a rock and roll/ goth/ hippie/ Rastafari vibe to his look. He's really attracted to Hayden. He's an enthusiastic owner an adult publication she appeared in in her younger days. He's quirky, but he does his best to win her heart with a great sense of humor, trys to earn her trust.- Then Scott trys to arrange to get Hayden killed, so Jack takes the creep out with his death machine. Hayden doesn't know that Scott got what he deserved and that Jack saved her life, she thinks he's crazy. Before Jack can explain fully, the Eco Terrorists, who may just be after "$350 billion in master soft wear bonds! - AROO AROO AROO-HA!" bust in and point machine guns...Jack understandably sicks the death machine on them, preserving Hayden just by surveillance and lifting his finger off the dead-man's switch on his remote. The director TRICKS us! He trys to make us despise Jack, by tricks in the story, and casting bizzaro Brad Dourif as Jack. Mr. Dourif was born in 1950, but they try to make him look like 25(using a wig) in 1995. This makes him creepier than he already is. Plus he's a hacker. I think there are more than a few of us online who hate the word. This film was almost pre-internet, so new viewers will hate Jack more than 1995 viewers. The first death machine murder is foisted on Jack, but there's no proof of his involvement and no real exploration of the circumstances of the crime. The Hardmen project doesn't kill it's participants, or erase their minds permanently, in fact, they may be paid black-opps recruits in my opinion. In the last scene, we think Jack is killed by his own death machine, but he couldn't have been.. since he knows it only attacks those who fear it! -So, what we have is an absolutely brilliant script that fools the heck out of us, plus, it is a very poingent love story, as well intentioned Jack, ends up like Romeo ended up.(but not really!) A lot of the camera work in the film is original and outstanding. I think this film owes more to Bladerunnner than any other film, in look and soundtrack. If they cut or re shot the "cop", cut a line or two here and there, or voiced over them, we'd have a popular masterpiece. -- Rachael Weisz has 10 seconds in this film. A close up of her face with 4 lines in her British accent, and black hair. Very pretty. I love you Rachael...you love me too, right???