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Hilda Crane

1956

R

1 h 27 m

Amerika Serikat

Drama

Twice divorced Hilda Crane, feeling she's run out of chances, returns to her mother's house in her small hometown and tries to decide what to do next while still hoping to hold onto her independence. That proves to be a challenge.
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6.2 /10

417 people rated

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Jean Simmons
Hilda Crane Burns
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Guy Madison
Russell Burns
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Jean-Pierre Aumont
Prof. Jacques De Lisle
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Judith Evelyn
Mrs. Stella Crane
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Evelyn Varden
Mrs. Burns
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Peggy Knudsen
Nell Bromley
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Gregg Palmer
Dink Bromley
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Richard Garrick
Dr. Joe Francis
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Jim Hayward
Mr. Small
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Sandee Marriott
Cab Driver
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Don Shelton
Mr. Jensen - Caterer
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Helen Mayon
Maureen - Hilda's Maid
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Marie Blake
Clara - Mrs. Crane's Housekeeper
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Jay Jostyn
Minister
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Samuel Colt
Wedding Bystander
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Jerry Mann
Student
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John Marshall
Gus Nordlinger - Russell's Foreman
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Ray Montgomery
Hilda's Acquaintance on Train

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Cookie

30/06/2024 11:56
.
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Snald S

16/10/2023 22:47
Trailer—Hilda Crane
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HakimOfficial

29/05/2023 16:43
source: Hilda Crane
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Qenehelo Ntepe

16/11/2022 10:12
Hilda Crane
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♥️ su-shant 💔🇳🇵

16/11/2022 02:21
I was as confused as the other two commenters about this woman and her frantic behavior and the reason behind it, until the part where she quoted Edna St. Vincent Millay. When I watched this movie I was in the middle of reading What Lips My Lips Have Kissed by Daniel Mark Epstein. A brilliant biography of Ms. Millay and also containing much of her poetry. I think Hilda was struggling with her feelings for men and women. I think she might have known which way she "swung", even before her two previous marriages. But in the '50's I think many women did the marriage, children, husband route even if they were denying their own sexuality. Now it is much, much different.
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Mireille

16/11/2022 02:21
There is nothing to commend this poor excuse for a film. They call it a movie, but it is even worse than a stage play. It comes nowhere near the quality of 'Footsteps in the Fog', and obviously Jean Simmons lends her name to this project so that it can sell. None of the characters are sympathetic. They are all one-dimensional, and the story itself is unengaging. It is typical of certain studio films in the 1950s which were poorly written, poorly acted and poorly directed. I would advise all Simmons fans to stay away from this film as it adds nothing to her canon of work, nor will you miss anything but not seeing it.
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