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Blues for Lovers

1965

R

1 h 29 m

Britania Raya

Drama

Musik

Ray Charles attempts to help a down-on-their-luck boozing family whose son is blind. He wants to finance the recovery of his eyesight, but the family is afraid of what might happen if something goes wrong.
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5.5 /10

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Ray Charles
Self
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Tom Bell
Steve Collins
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Mary Peach
Peggy Harrison
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Dawn Addams
Gina Graham
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Piers Bishop
David
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Betty McDowall
Mrs. Babbidge
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Lucy Appleby
Margaret
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Joe Adams
Fred
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Robert Lee Ross
Duke Wade
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Anne Padwick
Bus Conductress
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Monika Henreid
Antonia
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Brendan Agnew
Antonia's Protector
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Vernon Hayden
Headmaster
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Leo McCabe
Doctor Leger
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The Raelettes
Themselves

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King Bobollas

29/05/2023 22:40
source: Blues for Lovers
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Colombe Kenzo

26/05/2023 20:31
Moviecut—Blues for Lovers
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user9131439904935

16/11/2022 14:13
Ballad in Blue
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Amir Saoud

16/11/2022 02:39
This is an example of the musicals of the 60s where pop stars or musicians were featured who weren't really actors so the story has to be fitted around their talents.In this instance the main aspect of Ray Charles featured,apart from his music,is his blindness.A desire to help a blind boy have an operation which might restore his sight.Unfortunately the boy is played by Piers Bishop,in a flat monotone voice.Rather like a speak your weight machine.This becomes extremely grating on the ear.A good part of the film is occupied by Ray Charles in concert.So if you are a fan of his you can ignore the tripe that passes for a story.If you don't it's probably better to fast forward the whole film.
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kavya dabrani

16/11/2022 02:39
BALLAD IN BLUE is a star vehicle for famous musician Ray Charles, here playing himself in a story in which he becomes involved in the life of a put-upon blind boy in desperate need of an eye operation to restore his sight. This American production was filmed in Ireland by an American company with financial issues but looks reasonably good for its era. It's a family drama with added music and it's safe to say that with a musician of Charles's calibre, the musical segments are great and very toe-tapping. The rest of the story isn't bad ever, showing how persistence and spirit can overcome adversity. Like a lot of mid-20th century movies, the backdrop alone is of interest, but child actor Piers Bishop deserves kudos for his deeply convincing turn as the blind child; he was equally good in the tense thriller TOMORROW AT TEN made the previous year.
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