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source: The Green Knight

source: The Green Knight

4/10 - the occasional pretty shot cannot save this uneventful, anticlimactic, and loose adaptation of a great Arthurian legend that isn't the masterclass in cinema that fellow viewers and critics claim it is.

I'm writing this seconds after finishing the movie so forgive my frustration. While this is generally a well-made movie from every technical perspective, it is completely destroyed for me by two things. One, it's one of the most boring movies ever. And two, it's made up almost entirely of metaphors and symbolism with nothing concrete to hold onto. I may not be the best with abstract movies but I normally have at least some sense of what they're going for. In this movie, I didn't have the slightest clue about the meaning behind anything and everything. It's all straight nonsense. So many weird random parts seem to have nothing to do with the rest of the story. It's all style, no substance and fully pretentious. There is a lot I liked, even loved. The visuals are stunning. So many beautiful shots. Great cinematography combined with intense music create such an affecting atmosphere. Some really cool camera movements and overall fine directing. Even with all those likes, this movie completely drained my patience. And when it ended, I wanted to yell at the screen in exasperation that I watched the entire thing and still have no idea what it's about. I hate this movie. (1 viewing, 2/20/2022)

Featuring metaphor and symbolism on steroids, this film thinks it is desperately deep, but it fails to deliver a compelling, or even a comprehendible, narrative. Instead, we are treated to an aimless, meandering mess that asks the viewer to do all of the work. It is so vague and random that anyone could claim to read anything into the pointlessness of it all. A dreary, dismal misery.

Greetings again from the darkness. If you are at all inclined to see this movie, then I would encourage you to do so ... and brace yourself for a surreal and mystical treat unlike any other medieval tale previously adapted for the big screen. Writer-director David Lowery re-teams with A24, the studio that also distributed his critically-acclaimed 2017 film, A GHOST STORY, to deliver a trip for your senses based on the tale of Sir Gawain - a tale that's been told in various and often contradictory ways over many years. Dev Patel (LION, 2016) stars as Gawain, the nephew of an ailing King Arthur (Sean Harris, MISSION: IMPOSSIBLE - FALLOUT, 2018) and Guinevere (Kate Dickie, THE WITCH, 2015). When not imbibing with his friends, shaggy Gawain spends his time in the throes of intimacy with his paramour, Essel (Oscar winner Alicia Vikander sporting a pixie do). Young Gawain feels unworthy when he's amongst the knights and dreams of becoming an important man, so that he too may regale the King with his tales of adventure. Gawain's mother (Sarita Choudhury), in an attempt to facilitate her son's dreams, uses her witchcraft to conjure up his first opportunity for greatness ... and the film's first visually stunning moment. We are mesmerized as The Green Knight (Ralph Ineson, THE WITCH, 2015) makes his entrance riding a great steed into the room where the Knights are gathered at their Round Table. The Green Knight, best described as a giant Groot (from GUARDIANS OF THE GALAXY), puts forth a challenge that only Gawain is willing to take up. The scene is stunning and memorable, and allows Gawain one year of celebrity before the second part of the challenge must be faced. It's at this point where Gawain sets off on his journey ... one that can be likened to Homer's "The Odyssey", in that it's filled with surprises and obstacles that defy logic and explanation. The surprises include: Barry Keoghan (DUNKIRK, 2017) as a garrulous, yet deceitful forest scavenger; the ghost of St Winifred (Erin Kellyman) requesting help locating her skull in the swamp; scantily-clad (CGI) bald-headed giants slowly roaming the forest; and a Lord (Joel Edgerton) and his mistress who offer shelter and advice that may or may not be helpful. Also on his journey to meet back up with The Green Knight, Gawain is accompanied by a red fox that holds his own surprises. Director Lowery's film is a surreal, hypnotic medieval becoming-a-man tale that is both epic and intimate. There is much to unwrap here, including the witches who clearly establish women's control of men, and the idea that some may view themselves as destined for greatness, but blink when the moment of truth arrives. We do get a glimpse of Excalibur, and Lowery's frequent collaborator Daniel Hart's excellent score expertly blends with the infusion of metal music. The film requires the heightened use of your senses, and the fascinating work of cinematographer Andrew Droz Palermo keeps us zoned in on each character and every scene. In theaters Friday, July 30, 2021.