A doctor returning from the Korean War to his hometown in Pennsylvania must choose what next to do with his life.
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5.9 /10
1167 people rated
Bad for Each Other
1953
R
1 h 23 m
संयुक्त राज्य अमेरिका
ड्रामा
Film-Noir
A doctor returning from the Korean War to his hometown in Pennsylvania must choose what next to do with his life.
More
5.9 /10
1167 people rated
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शीर्ष कलाकार
उपयोगकर्ता समीक्षा
एपिसोड
शीर्ष कलाकार
उपयोगकर्ता समीक्षा
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शीर्ष कलाकार(18)
Charlton Heston
Col. Tom Owen M.D.
Lizabeth Scott
Helen Curtis
Dianne Foster
Joan Lasher
Mildred Dunnock
Mrs. Mary Owen
Arthur Franz
Dr. Jim Crowley
Ray Collins
Dan Reasonover
Marjorie Rambeau
Mrs. Roger Nelson
Lester Matthews
Dr. Homer Gleeson
Rhys Williams
Dr. Leslie M. Scobee
Lydia Clarke
Rita Thornburg
Chris Alcaide
Pete Olzoneski
Robert Keys
Joe Marzano
Frank Sully
Tippy Kashko - Townsman
Ann Robinson
Lucille Grellett
Dorothy Green
Ada Nicoletti
Philip Ahlm
Minor Role
Elsie Baker
Mrs. Olzoneski
Mary Benoit
Party Guest
उपयोगकर्ता समीक्षा
Maipretty9
07/06/2023 14:37
Moviecut—Bad for Each Other
Anita Gordon
29/05/2023 22:40
source: Bad for Each Other
fiona
16/11/2022 14:03
Bad for Each Other
Veronica Ndey
16/11/2022 02:14
Maybe if John Garfield had been cast instead of Charlton Heston (who looks and moves like Frankinstein's monster here); and if the producers (writers? director?) had not backed away from the mine safety, health, and company criminal negligence theme that packs a punch in the first ten minutes of the movie.
Ali algmaty
16/11/2022 02:14
This ho-hum drama directed by Irving Rapper has a young doctor torn between money and deep down dedication. Dr. Tom Owen(Charlton Heston)is a Korean War veteran that returns to his hometown, a Pennsylvania coal mining community. After meeting a spoiled, rich daddy's girl, Helen Curtis(Lizabeth Scott), Owen will have to decide between treating wealthy women with imaginary ailments; or remain being a small down doc tending the poor and indigent. To make Owen's situation more complex is a pretty, idealistic nurse, Dianne Foster(Joan Lasher). It doesn't take very long to figure where this story leads. Other players include: Ray Collins, Rhys Williams, Arthur Franz, Lester Matthews and Mildred Dunnock.
Rashmin
16/11/2022 02:14
Horace McCoy must have been outraged that his unpublished 1952 novel 'Scalpel' reached the screen under the 'naughty' title Columbia saddled it with; especially as high maintainance blonde bullet Lizabeth Scott's presence barely even constitutes a subplot compared to the scenes between Charlton Heston and Diane Foster which provide the film with it's heart.
It's been compared to 'The Citadel', but the subject matter also rather resembles 'The Best Years of Our Lives' and Ealing Studios' 'Cage of Gold'. The studio shies away, however, from the potentially provocative nature of the material, and the suspiciously short running time (and the abbreviated appearance by Arthur Franz in a role that approximates to the client Novak in Wyler's film) indicates some drastic pruning and back-peddling before they felt able to release it to cinemas.
Riya Daryanani
16/11/2022 02:14
This Columbia film is an abbreviated reworking of MGM's THE CITADEL (1938). In THE CITADEL a young doctor treats miners in Wales, but then sells out to treat rich hypochondriacs in London, before rediscovering his ethics in the end. In BAD FOR EACH OTHER, it's miners in Coalville vs. rich women in Pittsburgh. There are many other similarities, although BAD reshuffles the plot elements into a shorter running time. A mine disaster sequence, common to both films, is egregiously duplicated in BAD, including some shots which are near-identical. It's close to plagiarism. THE CITADEL is a great film, while BAD is merely entertaining. Just don't watch them within a month of each other, as I accidentally did.
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उपयोगकर्ता समीक्षा
Maipretty9
07/06/2023 14:37
Moviecut—Bad for Each Other
Anita Gordon
29/05/2023 22:40
source: Bad for Each Other
fiona
16/11/2022 14:03
Bad for Each Other
Veronica Ndey
16/11/2022 02:14
Maybe if John Garfield had been cast instead of Charlton Heston (who looks and moves like Frankinstein's monster here); and if the producers (writers? director?) had not backed away from the mine safety, health, and company criminal negligence theme that packs a punch in the first ten minutes of the movie.
Ali algmaty
16/11/2022 02:14
This ho-hum drama directed by Irving Rapper has a young doctor torn between money and deep down dedication. Dr. Tom Owen(Charlton Heston)is a Korean War veteran that returns to his hometown, a Pennsylvania coal mining community. After meeting a spoiled, rich daddy's girl, Helen Curtis(Lizabeth Scott), Owen will have to decide between treating wealthy women with imaginary ailments; or remain being a small down doc tending the poor and indigent. To make Owen's situation more complex is a pretty, idealistic nurse, Dianne Foster(Joan Lasher). It doesn't take very long to figure where this story leads. Other players include: Ray Collins, Rhys Williams, Arthur Franz, Lester Matthews and Mildred Dunnock.
Rashmin
16/11/2022 02:14
Horace McCoy must have been outraged that his unpublished 1952 novel 'Scalpel' reached the screen under the 'naughty' title Columbia saddled it with; especially as high maintainance blonde bullet Lizabeth Scott's presence barely even constitutes a subplot compared to the scenes between Charlton Heston and Diane Foster which provide the film with it's heart.
It's been compared to 'The Citadel', but the subject matter also rather resembles 'The Best Years of Our Lives' and Ealing Studios' 'Cage of Gold'. The studio shies away, however, from the potentially provocative nature of the material, and the suspiciously short running time (and the abbreviated appearance by Arthur Franz in a role that approximates to the client Novak in Wyler's film) indicates some drastic pruning and back-peddling before they felt able to release it to cinemas.
Riya Daryanani
16/11/2022 02:14
This Columbia film is an abbreviated reworking of MGM's THE CITADEL (1938). In THE CITADEL a young doctor treats miners in Wales, but then sells out to treat rich hypochondriacs in London, before rediscovering his ethics in the end. In BAD FOR EACH OTHER, it's miners in Coalville vs. rich women in Pittsburgh. There are many other similarities, although BAD reshuffles the plot elements into a shorter running time. A mine disaster sequence, common to both films, is egregiously duplicated in BAD, including some shots which are near-identical. It's close to plagiarism. THE CITADEL is a great film, while BAD is merely entertaining. Just don't watch them within a month of each other, as I accidentally did.
— No more content —
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