Robert Maine is torn between returning to the glamour of Hollywood or working with a small theatre company in England. When she falls in love with Maine, Carol has the same dilemma.
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6.4 /10
164 people rated
Return to Yesterday
1942
R
1 h 9 m
Royaume-Uni
Drame
Robert Maine is torn between returning to the glamour of Hollywood or working with a small theatre company in England. When she falls in love with Maine, Carol has the same dilemma.
More
6.4 /10
164 people rated
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Meilleurs acteurs
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Netflix
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Meilleurs acteurs(18)
Clive Brook
Robert Maine
Anna Lee
Carol Sands
May Whitty
Mrs. Truscott
Hartley Power
Regan
Milton Rosmer
Sambourne
David Tree
Peter Thropp
Olga Lindo
Grace Sambourne
Garry Marsh
Charlie Miller
Arthur Margetson
Osbert
Elliott Mason
Mrs. Priskin
O.B. Clarence
Mr. Truscott
David Horne
Morrison
Frank Pettingell
Prendergast
Wally Patch
Night Watchman
Alf Goddard
Attendant
John Turnbull
Station-master
Eliot Makeham
Fred Grover
Mary Jerrold
Old Lady
Avis des utilisateurs
Nikhil Sarkar
28/06/2023 02:34
Moviecut—“Gone with the Wind” (1940) (Movie Review with Spoilers)
Mohamme_97
30/05/2023 02:28
Return to Yesterday_720p(480P)
berniemain353
29/05/2023 21:45
source: Return to Yesterday
Bright Stars
16/11/2022 13:10
Return to Yesterday
eddemoktar73
16/11/2022 01:49
The basic premise of this film is that Clive Brooks is a big Hollywood film star who has returned home for a brief spell .He wants to escape from the pressures of this(don't they all) and ends up in a seaside town where he began his career and decides to help out an end of pier theatre.Even if Brooks had been a star he was now past his sell by date,being 53 when he made this film.So rather an unlikely star.Brooks is his usual wooden self,and the fact that he appeared in such an insignificant film means that he must have accepted that his film career was wending to a close.It passes the team reasonably and its shortness means that it does not outstay its welcome.
George Moses Kambuwa
16/11/2022 01:49
The personality of Robert Morley is already amply in evidence in this breezy early Michael Balcon production adapted from his 1937 play 'My Goodness, How Sad', drawing upon a season he spent with Sir Frank Benson's company.
Already nostalgic when he wrote it, and doubly so when released in January 1940 evoking pre-war Britain; after over eighty years it now seems even more from another era.
user5693481425344
16/11/2022 01:49
Thanks to a UK film channel I caught up with this good film. It shows many things. About how we age and try to accept it, about the UK just before WW2 and that wonderful experience of end of the pier theatre long since lost. Clive Brook is good as an ageing man falling in love with Anna Lee playing a very youthful actor in the theatre company. Most of the cast will be possibly unknown to the young of this century, but were valued in the first half of the 20th century, and that is a loss in itself, but as the title says you cannot return to yesterday. May Whitty is in the film who was so good in ' The Lady Vanishes ' directed by Alfred Hitchcock and she is excellent here giving Clive Brook some very wise advice about the young, and how ideally the young should be with each other. Well worth seeing for its clarity and its wisdom, and the underrated Robert Stevenson directed. Known for working with Disney, he made before that experience a few gems of cinema, and this is one of them.
— No more content —
Avis des utilisateurs
Nikhil Sarkar
28/06/2023 02:34
Moviecut—“Gone with the Wind” (1940) (Movie Review with Spoilers)
Mohamme_97
30/05/2023 02:28
Return to Yesterday_720p(480P)
berniemain353
29/05/2023 21:45
source: Return to Yesterday
Bright Stars
16/11/2022 13:10
Return to Yesterday
eddemoktar73
16/11/2022 01:49
The basic premise of this film is that Clive Brooks is a big Hollywood film star who has returned home for a brief spell .He wants to escape from the pressures of this(don't they all) and ends up in a seaside town where he began his career and decides to help out an end of pier theatre.Even if Brooks had been a star he was now past his sell by date,being 53 when he made this film.So rather an unlikely star.Brooks is his usual wooden self,and the fact that he appeared in such an insignificant film means that he must have accepted that his film career was wending to a close.It passes the team reasonably and its shortness means that it does not outstay its welcome.
George Moses Kambuwa
16/11/2022 01:49
The personality of Robert Morley is already amply in evidence in this breezy early Michael Balcon production adapted from his 1937 play 'My Goodness, How Sad', drawing upon a season he spent with Sir Frank Benson's company.
Already nostalgic when he wrote it, and doubly so when released in January 1940 evoking pre-war Britain; after over eighty years it now seems even more from another era.
user5693481425344
16/11/2022 01:49
Thanks to a UK film channel I caught up with this good film. It shows many things. About how we age and try to accept it, about the UK just before WW2 and that wonderful experience of end of the pier theatre long since lost. Clive Brook is good as an ageing man falling in love with Anna Lee playing a very youthful actor in the theatre company. Most of the cast will be possibly unknown to the young of this century, but were valued in the first half of the 20th century, and that is a loss in itself, but as the title says you cannot return to yesterday. May Whitty is in the film who was so good in ' The Lady Vanishes ' directed by Alfred Hitchcock and she is excellent here giving Clive Brook some very wise advice about the young, and how ideally the young should be with each other. Well worth seeing for its clarity and its wisdom, and the underrated Robert Stevenson directed. Known for working with Disney, he made before that experience a few gems of cinema, and this is one of them.
— No more content —
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