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source: No One Gets Out Alive

I'm quite drunk but that was actually enjoyable. I thought going into it, it would be a boring none scary Netflix horror. However I was completely wrong. It was very ere all the time and was actually scary, you can't knock it. The story might've been a bit hard to follow hence why it gets a 6 and nothing higher. But a 6 is a lot higher then I thought I'd be giving this at the start. This has nothing to do with the film but the main character was so sexy it's ridiculous. All in all though genuinely not a bad horror and decent horrors are really hard to come by nowadays. Might I add also, Netflix films have improved so much. You get so much better Netflix films now then when you did at the start, I'm really enjoying them.

I loved the monster, reminded me of "The Ritual". One of those monsters that were unbelievable but crazy enough that you could not help but stare at. Acting was very good and I have not been on the edge of my seat waiting to see what would happen like this in a long time. Go Netflix and plz keep up the awesome work. Cannot wait to see what they bring to the table next! I recommend seeing "John dies at the end" as well.

No One Gets Out Alive: A ramshackle old home, turned into a boarding house is one of the main stars of this film. It's corridors and dark rooms contain creaks, cries and noises, suggestions that something strange is going on. We know from the prologue that the residence is connected to an archaeological expedition to Meso-America and artifacts from the mission are stored there. Ambar (Cristina Rodlo) is an immigrant, hiding her illegal status, exploited in a sweatshop, trying to buy papers. She moves into the boarding house and encounters ghosts. A tale of terror, exploitation and human sacrifice. Some good ghostly apparitions together with poltergeist effects. This is also a story of a struggle for survival in the physical and spiritual senses, both inside and without the house. Very much influenced by Meso-American mythology. Directed by Santiago Menghini, screenplay by Jon Croker and Fernanda Coppel, based on the 2014 novel by Adam Nevill. On Netflix. 7/10.