زواج

my therapy 💖 in love with this movie 🥰🥰

i feel bad for chotti

all time best movie

India🇮🇳

Vivah 2006 Hindi BRRip 720p x264 AAC 5.1...Hon3y

I have seen this movie. This movie is the best according today's need. Dowry in marriages is the major problem nowadays. In stating this problem this movie is the best. In this movie, the Indian values are stated very well. Today's youth must understand this problem. There is less population of girls. And due to this problem of dowry , the girls committed suicide. If this problem continues, then the day when there is no girl child, is not far away.So, keep in mind this statement ,today's youth must understand that we can not take dowry in marriages.We have to learn from this movie that the dowry should not be taken.And if we understand this problem then we can see the new trend in the society. This is the major change in the society.

I have an impression of how Sooraj Barjatya makes his films – starting from Maine Pyar Kiya, Hum Aapke Hain Koun, Hum Saath Saath Hai and Main Prem Ki Diwani Hoon – he has always made over the top movies. Showing everything bigger than life – the family, the relationships, the ceremonies and everything he does. So when I had heard of Vivah, I had very low expectations from what to expect from this Rajshri Production cropper – the same old story of two family, marriages etc. On top of that I read the story of it – poor town girl, rich city boy – arranged marriage story. Oh, I am totally out of this crap – I said to myself. Six months later – Vivah was celebrating its silver jubilee in a small town of North West India – Jaipur and still running strong. That interested me a bit, and I started reading some internet reviews. I found that the movie has flopped miserably in metros and cities, but is doing great business in small towns and villages. Oops….That factor took my notice and when the occasion came I decided to give this boring Indian saga a go, just to see what is on the cards. The story is about a small time merchant (Alok Nath) and his family – wife (Seema Biswas) and two daughter – one own (Amrutha Prakash) and another adopted daughter (Amrita Rao). The family gets an invitation of engagement from a Delhi based business man's (Anupam Kher) son (Shahid Kapoor). The family meets, the boy likes girl, the girl likes boy, engagement is held immediately, and after 6 months the marriage date is fixed. The only problem is that Seema Biswas does not like to give importance and spend too much money on Amrita. On the day of marriage there is a fire in the house and Amrita saves the life of Amrutha – that changes the Seema Biswas' heart. But will the boy – Shahid Kapoor still marry Amrita who has suffered 40% of burns on her body. So the story is simple. The Director Sooraj has kept the traditional Rajshri production style - keeping the basic strong. And what is the basic? Indian family values, tradition, respect, love, sacrifice etc. But this time Sooraj has learned his lessons and kept the story simple. He has not gone over the top on any occasion. The sets are simple, the story format is simple, the sets are simple, the dialogues are also not over the top, but reflective of emotions. And this format marvels and fits Rajshri tradition. It was such a relief to see a true Rajshri movie after such a long time – more than two decades I think. The stealer of performance is given by none other than Seema Biswas in a very complex role of a traditional and jealous mother. She speaks so less with her mouth but tremendous with her eyes. When she opens her mouth and speaks a few words just venom comes out of it. Great acting! She becomes the capital stone of the movie on which the script hinges. Remaining actors have performed their roles diligently. The music by Ravindra Jain is the biggest let down, except the single song – Hum Ko Hak Hai, which is melodious. In usual Sooraj Barjatya style, the life of small town street where the house is situated is built on the set. But still the detailing is good and only a keen eye that spots the existence of set. Overall a movie that fairs above expectations. (Stars 6.5 out of 10)

In director Sooraj Barjatya's Vivah,20-something Delhi boy Shahid Kapur finds himself smitten by the demure, small-town girl his father has selected for him to marry. Drawn to her innocence and simplicity, Shahid agrees to the marriage barely moments after he's met her at her home in Madhupur, and the young lady in question Amrita Rao seems equally floored by her charming suitor. The marriage is fixed for six months later, and the couple find themselves in the first throes of young, budding love, their geographical distance notwithstanding. But Amrita, who's been raised by her uncle and her aunt after her parents' death, is struck by a horrible calamity just hours before the marriage. And then, it's up to Shahid to play the honourable lover and to embrace her unconditionally.Much in the same vein as Hum Aapke Hain Koun and Hum Saath Saath Hain, Barjatya's new film Vivah too is on one level a family drama with an extremely idealistic premise. But sadly, the plot of this new film comes off looking way too outdated, even more far-fetched than those regressive Ekta Kapoor soaps. And the problem is clear – you just can't relate to such squeaky-clean characters who don't have one bad bone in their bodies. There are many things that work in favour of and against Hindi films, and timing is one such important factor. Twenty-five years ago, perhaps the plot of Vivah may not have felt like such a stretch, but today it just seems like the product of a mind stuck in a time warp. Perhaps the film's only saving grace is the fact that it oozes sincerity from start to finish, you can make out right away that the filmmaker's intention is not to deceive. Judging both by Barjatya's previous films and by closely examining this new one you can safely declare that Barjatya believes in a perfect world, he believes in his good-as-gold characters, he believes that large families can live together happily under the same roof without the slightest bumps.But alas, he's unable to translate his vision to the screen. It's difficult to overlook how one-dimensional his protagonists are – Shahid and Amrita, both virtuous and virginal – I mean, think about it, the first time they hold hands is an hour and twenty minutes into the film. Barjatya may think he's returning to his Maine Pyar Kiya roots with Vivah, but truth is that the reason we embraced Salman and Bhagyashree in that film, or even Salman and Madhuri in Hum Aapke Hain Koun is because they had such fantastic chemistry. Because although they were created out of the same mould as Shahid and Amrita in Vivah, those pairs had mischief and masti. Shahid and Amrita are just insipid and boring.For a film that relies so heavily on music to narrate its story, the filmmaker chooses a string of 70s-style tunes that only further slacken the film's deadening pace. But if I had to choose just one reason to explain why Vivah doesn't work for me, it's because I'm not sure I can relate to any of the characters who inhabit Barjatya's story. To some perhaps, Vivah will give hope, that a perfect world like this is actually out there somewhere. But I'm a little cynical I guess. So, give me the coquettish Madhuri of Hum Aapke Hain Kaun, give me the bratty Salman of Maine Pyar Kiya, I'll even take that mischievous Karisma Kapoor of Hum Saath Saath Hain. But save me from these dullards. You know, some marriages aren't made in heaven. This one's Vivah!

Poonam (Amrita Rao) is a pretty, beautiful, sweet, honest, obedient and a "I-want-a-daughter-like-her" typical Indian country girl. She is the sunshine of her father's (Alok Nath) eyes. A family friend notices her as a perfect fit for one of his friend's (Anupam Kher) son. Well who is this chosen groom? Well his name is Prem (Shahid Kapoor). He is also obedient, good looking, honest, educated blah blah. I guess you get the point. Of course he is instantly attracted to Poonam when he looks at her picture. A typical Indian private meeting is arranged. The candidates approve each other and then begins the journey from engagement to marriage. This is a new installment by the king of family movies Sooraj Barjatya. The director has brought in all the usual flavors of romance to this treat. A pair of fiancée that will be approved by every audience member, their romance that is expressed with first-hesitant-then-cheesy-confident looks, conversations through smiles, choosing the matching dresses, secret rendezvous and almost every single thing that has seen and heard till today. As per the trademark there are also the family parameters into this equation. Father daughter relationship reminiscent of Maine Pyar Kiya (1989), girl loss of her mother at young age seen previously in Hum Aapke Hain Koun (1994), teenage romance from maine pyar kiya, rural lives and nature's beauty and family values perhaps tackled in almost every other movie of Barjatya. In and all this is a perfect rated-PG family movie that is bound to be approved by everybody. And just like every Barjatya movie it starts with goody-goodies and has a little twist near the end that would be a probable reason that might jeopardise the "build-up-too-much-cheesy-romance" relationship. But everyone knows that this movie was made for those two people and they would end up being together forever and ever. Of course they do so. But I must warn you that this movie has an ending that was rather unnecessary. The first-night scene might have been important by Barjatya but that rather made this tale a total turn down. This is something like going to the smokey mountains, enjoy the scenery, breathe the fresh air and then slip from the highest cliff and fall in the valley. Sooraj had the recipe. But I guess he was hallucinating the success of the movie already and right when he was finishing cooking "Vivah" he added salt thinking it is sugar. On another plus side the couple looks good on screen. Amrita, if I may say so, has done a better portrayal of a wannabe rural girl than Shahid's urban boy portrayal. Songs are good. Some scenes such as Prem's first gift to Poonam, their meeting on the roof, their chemistry has been picturised well. In the end I can say that if you want to enjoy a weekend with your family then take them to this movie.

I won't say this movie was bad, but it wasn't good either. I expected something good but I guess Hum Aapke Hain Kaun was much better than this. This was completely old fashioned. At every stage of this movie, I hoped for some twist and what do I get? The girl gets burned and wins her aunt's love. Despite of being engaged, they have to take permission for every little move they make. They are so darn shy even after so many meetings. I expected the aunt to be much more brutal than that. All she did was crib madly. Hey, we have kids too, but we don't watch them and have tears in our eyes always. This movie is a dream. Happy family, one cruel woman, good in-laws and a man who loves her to death. In HAHK Anupam Kher was the poor bride's father and now it's vice versa. And I somehow knew that Mohnish Behl would be in this movie. Anyway I believe I wasted my time. I give it a 2/10.