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'The Champ' seems to have been a blueprint film for all the others of the tough-tender school that followed it, and - owing entirely to Jackie Cooper's playing perfectly off of Wallace Beery's has-been, alcoholic pug - it's perfectly charming. Yes, the fight scene is rather hokey: had they tried to use Wallace Beery's telegraphed-the-day-before roundhouse punches, even the toe-to-toe sluggers of 'The Champ's bygone day wouldn't have survived one round in the ring. But the film isn't about the fight scene, it's about the love of father for son and son for father - and to this day 'The Champ's' story artfully delivers its soft knock-out blow with tender sucker punches and love-taps to the heart. Compared with today's fare 'The Champ's' pacing is slow but the time taken works nicely, especially in the one-on-one scenes captivatingly played by Cooper and Beery. There's plenty of archetypal King Vidor composition-in-frame that's still imitated today, and in many instances the lighting is exemplary of the gorgeous black & white textural artistry of Hollywood's Golden Age. Lovers of classic B&W work might want to grab more than a few frames from the DVD. Beery's work is quite good here, but Jackie Cooper's remarkable, potent chops steal the show - and your heart; though 'The Champ' has a good many fine, classical attributes there's none better in it than Cooper's unforgettable performance.

source: The Champ

Trailer—The Champ

The Champ

Yes we've seen it thousands of times, but each time is a wonderful experience. You know the story by heart, but you discover new things again and again. This film is King Vidor in all his glory. Fantastic photography, great shots. For a film of 1931, it's crazy how the image remains beautiful. The story is gripping and the acting is superb even though at times over the top. Deserves to be shown and watched again and again.

When I first saw this movie it was my first look at either Wallace Beery or Jackie Cooper. I found both of them very interesting to watch. I also found out why Bob Hope and Jack Benny used to make a lot of sarcastic lines about "being about as pretty as Wallace Beery." He definitely had an ugly "mug." However, he was a lovable loser, at least in this film. Cooper played "Dink," a cocky little kid who just loved "The Champ" (Beery). On the VHS tape, Cooper's squeaky little voice did not come across well and often was annoying to hear. The boxing scenes were hokey but I liked the ending because at least Beery won the fight, although he collapses afterward. I believe he lost in the re-make of this with Jon Voight and Ricky Shroder in the 1979 film, but I'm not sure. The kid's devotion to the champ, even under the toughest of situations, was touching. With clearer sound and picture, I would have kept the tape. I should check out the DVD.

this is one touching,heartwarming movie.it's all about the love a father has for his son and vice versa.Wallace Beery is good as the dad,but it's Jackie Cooper(nine years old,at the time)who steals the show)as the son.as a nine year old child,Cooper showed acting ability and maturity way beyond his years.this film has little to do with boxing,and in fact,the one big boxing scene is quite comical,and not in a good way.thank goodness,it secondary,and doesn't lesson the overall impact of the movie.the ending is unexpected and hit me like a punch to the gut.it's a powerful moment,and deeply affecting.for me,The Champ(1931)is a 7/10

THE CHAMP feels like a quintessential Depression movie: it captures the poverty, pessimism, and sense of desperation so many experienced during that period. Beery and Cooper's father-son relationship is highly touching, and the latter's performance is one for the ages. Cooper's character is a child forced into an adult role due to his father's alcoholism and the hardboiled, macho attitudes of the men around him, yet he still possesses the naivete and steadfast optimism only children possess. It's a complex role for a kid to nail down, but Cooper hits every note perfectly. THE CHAMP could have easily been a soppy mess, but the gritty aesthetic and underplaying of the actors keep it from such melodramatic excess.

The central relationship of the adoring street-wise kid (Cooper) and his devoted, boozing, gambling ex-champ Dad (Beery) is astonishing. We are observing behavior here, not acting. Cooper gives the best child performance I've ever seen and Beery is utterly human, flawed and unforgettable. This film is full of terrific moments - comedy and heartbreak. The friendship between Cooper and his black pal is beautifully color-blind. When Cooper states, "He's colored," it's with a child's open, untainted honesty. I find King Vidor's films to always resonate with humanity and compassion. He was one of our greatest filmmakers as Frances Marion was one of our greatest screenwriters.

I had seen the 1979 remake starring Jon Voigt and Faye Dunaway (the female part was much more important ) and I was not that impressed.Jon Voigt was too good-looking and too handsome to portray the champ successfully.The original really blew my mind:the Wallace Beery /Jackie Cooper team was a winning one and it's one of the best pairings man/boy in the history of cinema ,with echoes of Charlie Chaplin's "the kid" .Although the movie takes place in the prizefighters milieu,the plot is pure melodrama ,mainly aimed at the female audience .The reactionary side of the melodrama -the posh lady horrified at the people around her boy, a "normal" wealthy family is the safe way to happiness,etc- is present but emotion survives the tear-jerker side .And I dare you not to shed a tear when the boy screams "I want the champ!".