تداعيات

This is my first review of any movie on IMDb. And since I am an older retired guy with a lot of time on my hands, I enjoy watching some of these movies that everybody hates. Even my wife laughs at me because I like "Sharknado" type one star movies! So this one I give five out of ten stars. How do I know that I like this movie better than most of you? Because I hardly looked at my phone at Facebook reels while this movie was on. Normally, if a movie is not that interesting to me, I will be on my iPhone, looking at reels throughout an entire movie that is kind of stupid or boring. But I thought this one was pretty exciting, especially not knowing what was going to happen, except I knew kinda what the ending was going be. Anyway, I think I only watched a few reels during this movie. That's how I rate movies.

As already stated by others, this flick sucks pretty much, however I´d like to point out the score, especially during the end-credits (or should I call it "blacklist"?). It really, really, and I mean really sounds like a poor spoof of Klaus Doldinger´s "Convoy"-Track from "The Boat"-Score. Even Sonar-Pings are in it... But nomen est omen I guess. The Fallout Score was done by David and Eric Wurst, The Wurst-Brothers!!! :o) Wurst is German for Sausage... This Movie sucks, and sucks, and then it´s over...

This is a bit of a cold war type movie, in the sense that we have terrorists sabotaging a space station, in order to satisfy their control freak demons. Being set in space makes it tough to make interesting, but it can be done. Isolated, closed quarters can go either way. It depends on the director more than the writer. The script isn't great, but that doesn't matter. "Enclosed spaces" takes good directing. It takes proper technique with cameras and with cut away scenes, and with interesting props. These are horribly managed here. True, the worst settings are mundane ones such as city streets, motor vehicles, and offices, with the very dullest being submarines and space stations. Still, this is where directing is important. You need a lot of grunge, for one thing, and that's missing here. Everyone's hair stays perfectly in place, and you never get the feeling the characters are anywhere but on a movie set. This is difficult to stay awake through. Especially for guys, since the heroine is very average looking. It would help to add some grunge to her appearance to make her more dynamic, but that is a major failure of the director again. This is how not to direct a movie.

FALLOUT is a sci-fi cheapie for lumbering action man Daniel Baldwin, here at the bottom of his luck. The movie is directed by Rodney McDonald, one of the Z-grade B-movie directors working at the tail-end of the 1990s, and the story is about a rescue mission in outer space that takes place when some nasty Russians hold the very Earth to ransom. Well, APOLLO 13 this isn't; the realism goes out of the window at the outset with the cheap staging and set-bound antics of the cast. The heroine veers on becoming a blonde bimbo and appears to have been cast for her appearance rather than acting ability; the less said about Baldwin's ability to sleepwalk through his part, the better. The villains are singularly unimposing and the film is both predictable and boring.

This movie serves as a good example of a general rule, and should be included as part of the curriculum for film-making courses in the future: If you're going to include a suspenseful, edge of the seats, scene wherein the daring pilot hero, flying by the seat of his pants in a last ditch effort to bring his plummeting ship down safely, is breaking all the rules that ground control is ordering him to follow; ending with all the instruments screaming "Failure! Failure! Catastrophe! Duck and Cover!" or whatever, it's better if you don't intercut the sequence with shots of people watching it through a window, and only reveal that it was just a simulation after the end of the scene. I'm just saying.

This movie has one of the worst script for a Sci-Fi film I've ever seen. The actors were OK, the direction was tolerable, but the script !!. Russian terrorists, nuclear bomb, in space !

"Fallout" is some kind of sci-fi/action/thriller deal that falls short on sci-fi elements and severely lacks action & thrills. So, about 3/10 should do it. I don't think I'm overrating things here. Strongly impressed by the film's blandness, uninspired directing and almost non-existing special effects, I went and checked out what else director Rodney McDonald might have cooked up. And I learned I had already seen the supreme Graig Sheffer vehicle "Deep Core" (2000). Hey, at least that one had crappy CGI. Oh yes, why on earth did I decide to watch this, right? Well, it stars the amazing Frank Zagarino. Who is he, you ask? Well, nobody you should know, really. Only, the guy played a relentless criminal cyborg in "Shadowchaser" (1992), a merciless brutal cyborg in "Project Shadowchaser II: Night Siege" (1994), an utterly demented killer-cyborg in "Shadowchaser III: Alien Force" (1995) and also a surprisingly other kind of cyborg in "Shadowchaser 4: Orion's Key" (1996). I liked all that.

I usually don't comment on movies, but for this stinker, I'll make an exception. The dialogue is absolutely atrocious. Every character seems to enjoy stating their job title and past experience like they're reading a resume. It's really hard to fault the actors when given a script this foul... But I'm feeling picky today. Low points include Frank Zagarino's accent which keeps flipping between German/Austrian and Russian and an over-the-top wooden performance from a moussed-up Baldwin brother. I saw this movie for free on the SciFi channel and yet, somehow, I still feel ripped off.

Just saw this on satellite while vegging out on a Friday evening. I am so glad I didn't pay real money to see it. An absolute turkey. Silly plot. Moronic dialogue. Cheesy special effects. Totally predictable ending. Nothing more to say really.

FALLOUT=fall flat! Mediocre space yarn. Russians taking part in a NASA mission take over a space station and threaten to use nuclear weapons to hold the Earth hostage. Bad acting along with soft special effects are not enough to hold interest. Teri Ann Linn is eye candy and does not have the ability to wake up a lumbering cast featuring Daniel Baldwin, Frank Zagarino, Michael Khmurov and Scott Valentine. Sci-Fi Network fodder.